WORLD CULTURES
Spring, 2006
Section B 9:05-10:55 MWF
email: brad@mtu.edu
|
Heidi
Steudle |
Kate Graves |
|
Acad. Off. Bldg. 202 |
Acad. Off. Bldg. 202 |
|
487-1843 hesteudl@mtu.edu |
487-1843 klgraves@mtu.edu |
Erin
Brandt Susie LaCasse André Lewis
Emily Ongstad Pavi Elle Poole
Maribeth Powers
Description:
This course is a
survey of different cultures of the major regions of the world. It considers how cultures work and make
sense, how cultures reflect adaptation through time, and how culture is
expressed in the arts and literature.
The course emphasizes the interrelationships of culture with
environment, resources, and social systems.
Lectures emphasize the nature of the world today, with appropriate
references to historical events and trends.
World Cultures is the second of the four core courses at Michigan
Tech.
This section is similar to other UN1002
sections, but all sections are not identical.
I will approach the subject matter from the vantage point of a
geographer and will emphasize geographical patterns of human phenomena in the
world. Like the other sections of the
course, this section will require extensive critical reading and analysis.
Goals of the Course
• Develop an appreciation of the major features of the world’s
cultures
• Understand how different societies are organized
and structured
• Gain insight into the nature of contemporary
world problems
• Experience and understand the various forms of
expression used by different cultures
• Develop an understanding of why cultural differences exist
and how the world came to be as it is
Texts
Buy the course pack
for Section B, which includes:
S. Marston, et. al,
World Regions in Global Context, 2nd edition.
B. Baltensperger, ed. World
Cultures Course Activity Guide and Narratives
Personal Response
System transmitter
The textbook includes
a very useful website (www.prenhall.com/marston), which has on-line reference
materials and practice quiz questions, a world desk reference, and other
information—I particularly like the Destinations button, which has links to
some cool photo collections and other web sites.
PRS Registration
You will need to register your PRS transmitter in order for
your responses to in-class quizzes to be properly recorded. Information on registration should be found
with your PRS unit. PRS quizzes will
begin Monday, January 16.
Web Site Registration
You will need to register at the CourseCompass website in
order to access information on the course and monitor your progress during the
semester. Go to www.coursecompass.com to
register. The course ID is
"baltensperger71979." Your
student access code comes with your textbook.
Your login name is your email address or your MTU ID. Choose a password. If you are using a used textbook, you will
have to purchase CourseCompass access—go to www.coursecompass.com and click on the
Register button, then on Purchase Online Access. You will need the course ID and a credit
card.
The web site is where I will post exam grades and where,
with any luck, you can view your personal gradebook. It also includes a copy of this syllabus, the
course schedule, and study questions.
Scheduling
Please note:
• dates of the exams and place them on your schedule • dates
when problem sets will be due
•
dates of activities that take place outside of the regular class period.
Country Teams
Each student in this section of World Cultures will be a
member of a 4-person team, which is identified by one of 56 countries. Each country team will have a pendaflex file
in which to hand in assignments and problem sets.
Study Groups
You are strongly encouraged
to join a World Cultures Study Group. To
do this, contact the Writing Center in Walker 107 or call them at
487-2007. Let them know that you are in
Section A of UN1002. The Writing Center
web site is: www.hu.mtu.edu/wc/
Web Site
For general information on the course, the web site for
World Cultures is www.worldcultures.mtu.edu. From there, you can access this section. Here you will find the complete schedule, the
full syllabus, and FAQs.
Email
I have set up a list-serve for the class: wcbrad-l. I will use the list to distribute
announcements, reminders and other information about the course. The list-serve
uses your MTU email
address. Please check it regularly,
particularly if you usually use a hotmail or other address. If you cannot bring yourself to open your MTU
email and would like to use a different personal email address, send me an
email and I will add that address to the list.
Feel free to contact me or the TAs at any time by direct email.
This course meets from 9:05 to 10:55 AM on Mondays,
Wednesdays, and Fridays. Generally,
Monday and Wednesday classes will be used for lectures, although there are at
least 5 Friday lectures. Lectures will
typically conclude by 10:30, with the time from 10:30-11:00 available for
questions, discussions, and meetings with TAs.
Occasionally, the lecture component of the course will extend beyond
10:30. On days when there are films
(usually on Wednesday or Friday), class will last until 11:00 AM. You are expected to attend all class
sessions. Note the days on which there
will be no class - these are compensation for attending performances outside of
class.
Lectures:
Lectures in this course are designed to complement material
in the text. Each section of the course
will be introduced with a lecture on a current issue within a world
region. Subsequent lectures on the same
region will deal with specific aspects of that region and with comparisons to
other world regions on particular topics.
During lecture you should take extensive notes to assist in
understanding and recalling important information. I will not engage in pure lecture, but prefer
to involve the class in extended discussions, informal surveys, and even
arguments, so be prepared and feel free to get involved. Much material will be displayed on the
overhead or on slides. Don’t count on me
to write down “all the important stuff.”
Problem Sets:
There are three required problem sets, which
will be distributed by email or on the class website. These problem sets utilize
data in the text to explore more specialized topics and to highlight material
that cannot be adequately covered in class.
They also provide a means of improving grades when done thoughtfully. They will require some thought, a modest
amount of writing (not a few jotted notes), and some care in their
completion. I will hand out assignments
one week before they are due.
Assignments will be returned no more than one week after they are handed
in. Assignments must be received on the
due date shown in the schedule. Problem
sets that are submitted late will not be
accepted.
Readings:
Complete all class readings in a
timely manner.
Readings for the course are drawn from the
text, from the “Narratives,” and from the Study Guide. I will occasionally distribute other short
items during the term, including notes on films not covered in the Study Guide.
Activities:
This course includes 13 activities, which are integral to
the course. Ten of these are films,
which are shown in class. Three are live
performance activities which take place in the Rozsa
Center for Performing Arts. You are
required to attend all ten films and
three performance events; questions on the events will be included on
exams. The cost of the
performances and films is covered by your lab fee.
You will receive three tickets to Rozsa Center performances:
Ticket
1: You will receive
one ticket to “Sarakasi: The Amazing
African Acrobats.” Choose one of the
two performances (3/18-3:00 PM or 7:30 PM).
Ticket
2: You will receive
one ticket to Festival in the Desert. Choose one of two performances (4/9-3:00 PM
or 7:30 PM).
Ticket
3: You will receive
one ticket to an additional Rozsa Center performance. Choose from:
Alan Parsons Live Project 2/10 7:30 PM
2/11 8:30 PM
The
Three Musketeers 2/24 7:30
PM
Shakespeare's Henry V 3/22-25 7:30 PM
3/26 3:00 PM
Yellowjackets 3/31 7:30 PM
Brahms' German Requiem 4/15 7:30
PM
To order your tickets you must go to the Rozsa center
website: www.aux.mtu.edu/tickets/. On the left hand side of the tickets page, near
the bottom, is the button for World Cultures.
You can select which of the two performances of Sarakasi and Festival in
the Desert you prefer, and you can specify which of the optional performances
you prefer. You can also indicate other
individuals you would like to sit with.
Submit the form online beginning on Wednesday, Jan. 11. Ticketing is
"first come, first served," and tickets to the optional performances
are limited, so if you order early you will have better seats and will be more
likely to get a ticket to a performance you prefer. Tickets will be ready for pickup on February
1. Do NOT pick up your tickets the night
of the performance – you will end up in a long line!
Because we will discuss some of the material in the films
and performances in the next class period, you should plan to write out some
notes and reflections on the films and performances after the shows.
Assignments:
There are assignments associated with each of
the 13 activities. Each assignment must be handed in on the date
specified. In some cases this will be at
the conclusion of the class period when a film is shown. Assignments
which are submitted late will not be
accepted.
I will drop your three lowest activities scores. However, you MUST complete an assignment for
three live performance events and for “Before the Rain.” Scores for those assignments will NOT be
dropped.
Exams:
There
are two midterm exams and a cumulative final exam. Makeup exams may be given in case of SERIOUS
extenuating circumstances. This is only
possible if you receive permission from the instructor or one of the TAs IN ADVANCE of the exam. The exams will draw upon assigned readings;
films and performances; material presented, distributed or discussed in class;
and material on the problem sets. Each
exam will consist of multiple choice questions designed to measure your
understanding of the key concepts of the course. Relatively few questions will emphasize
factual recall, although there will be map questions on each exam which will
require that you be familiar with the locations of places and peoples discussed
in lectures, readings, films, & problem sets.
PRS Quiz Questions:
In each class there will be several quiz questions which emphasize assigned readings and understanding of concepts presented in the lecture. Each question is worth one point Quiz questions can NOT be made up. You will be "held harmless" for quiz questions missed due to up to 3 absences.
Grading:
EXAM
1 50 pts
EXAM
2 50 pts
FINAL
EXAM 50 pts
PROBLEM
SETS 10 pts each 30 pts
ASSIGNMENTS 5 pts each 50 pts
PRS
QUIZ QUESTIONS 70 pts
TOTAL 300
pts
A 273+ points (91%) C 213-230 (71%)
AB 261-272 (87%) CD 201-212 (67%)
B 243-260 (81%) D 180-200 (60%)
BC 231-242 (77%) F <180
Doing
Well in the Course:
Attendance – In previous years, students who rarely
missed class received grades that were about .7 higher than those who missed
more than 6 lectures.
Preparation for class – There will be a quiz question on the
reading in virtually every class.
Keeping up on the reading will also minimize your need to cram in
material right before the exam. In previous
years, students who did most of the reading had a grade point .5 above those
who read less than half of the course material.
Punctuality – Please be on time. Tardiness disrupts your colleagues. If it is essential that you leave class
early, please let me know in advance.
Attentiveness – Please
stay awake – the advantages are obvious
Do
not hold independent discussions – this makes it difficult for other students
to follow the lecture and discussion
Turn off cell phones
and other electronic devices – they are terminally annoying
Laptops may be used
for taking notes
Taking notes – Taking notes during lecture helps you
to remember the important concepts presented in class, and identify the key
examples that illustrate those concepts.
Reviewing your notes at least weekly takes only a few minutes, but it
helps cement important ideas in your mind.
Spend some time – Success in college is correlated with
the amount of time one spends on coursework outside of class. The standard rule of thumb is 2 hours out of
class for each hour in class. That works
out to 6-7 hours per week our of class.
Use that time to complete assignments, to read and study the text and
Narratives, and to study class notes.
Spend time looking over maps and other graphic materials in the
text. And spend some time thinking about
topics and their implications.
Collaborate – Join a study team. Students who do get better grades. Study together for exams. Compare your answers to problem sets. Working together does not mean dividing up
the tasks and sharing answers. While you
are encouraged to collaborate on the problem sets, the answers must be your
own, not simply copies of someone else’s answers
Plagiarism:
All material turned in must be your own.
This means that you are expected to work individually on assignments,
exams, and quiz questions. Your PRS
transmitter is yours alone. If it is
used by someone else, both of you will be subject to disciplinary action. No collaboration on quiz questions is allowed
unless specifically authorized.
Performances
To get more information on any of these shows, go to: www.rozsa.mtu.edu. Click on “Schedule,” then click on either the
Great Events calendar or (for Henry V or Brahms' German Requiem) the Fine Arts
Department link. Click on the performer
you are interested, then click on more information to get access to live clips,
official websites, etc.
Sarakasi: The Amazing
African Acrobats
Sarakasi is the Kiswahili word for circus. This troupe brings together acrobats,
jugglers, clowns, contortionists, and balancing acts from all over Africa
Sat.,
Mar. 18 • 3:00 pm • 7:30 pm • Rozsa Center
www.gmartists.com/sarakasi.htm
Festival in the
Desert. Featuring Tinariwen and Ramatou
Diakite with Markus James
Tinariwen is a group of Tuareg from northern Mali. Their traditional music reflects nomadic life, but is also influenced by western styles. Ramatou Diakite is from southern Mali, where pop music has been influenced by the blues. She has edged toward hip-hop. Markus James travels throughout Mali, recording traditional and contemporary music, which he performs with Malian musicians in the US and elsewhere
Sun.,
Apr. 9 • 3:00 pm • 7:30 pm • Rozsa Center
www.eyefortalent.com/index.cfm/fuseaction/artist.detail/artist_id/59/ /61/
/94/
Optional Performances
SELECT ONE
Alan
Parsons Live Project
Alan Parson’s earliest work was as a
recording engineer on such albums as “Abbey Road” and “Dark Side of the Moon.”
He has recorded numerous albums and received a number of Grammy
nominations. His recent work is more
contemporary and electronic. He appear
swith the Keweenaw Symphony Orchestra, as well as highly acclaimed
singer/songwriter, Houghton native P. J. Olsson (http://247pj.com/main.html).
http://www.alanparsonsmusic.com/
Fri.,
Feb. 10 • 7:30 pm • Rozsa Center
Sat.,
Feb. 11 • 8:30 pm • Rozsa Center
The Acting Company
presents The Three Musketeers
The country’s top touring theater company brings Alexander
Dumas thrilling adventure to the Rozsa stage.
Young D’Artagnan and his musketeers defend the waning era of chivalry
with daring swordplay and romance, as they rescue the kidnapped heroine, and
preserve the honor of the queen.
Fri., Feb. 24 • 7:30 pm • Rozsa Center
http://www.theactingcompany.org/
Shakespeare's Henry V
Henry V celebrates the English victory over the French at
Agincourt during the Hundred years’ War.
It opens with newly crowned Henry considering war on France, urged on by
leading nobles and the Archbishop of Canterbury.
Wed., March 22 • 7:30 pm • Rozsa
Center
Thu., March 23 • 7:30 pm • Rozsa
Center
Fri., March 24 • 7:30 pm • Rozsa
Center
Sat., March 25 • 7:30 pm • Rozsa
Center
Sun., March 26 • 3:00 pm • Rozsa
Center
Yellowjackets
One of the top-selling jazz groups in the US, with 15 albums
to their credit. These jazz legends have
won two grammy awards.
Fri.,
March 31 • 7:30 pm • Rozsa Center
Brahms' German Requiem – Keweenaw Symphony Orchestra and
Michigan Tech Concert Choir
The German Requiem, first
performed in Vienna in 1867, established Brahms as a widely recognized force in
the musical life of Vienna. Today, its
noble tone and theme make it one of the most popular works for chorus and
orchestra. Not a true mass for the dead,
it conveys sentiments of love, mortality, and hope through elevating and
dramatic music.
Sat.,
Apr. 15 • 7:30 pm • Rozsa Center